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Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-Pop (Asia Perspectives: History, Society, and Culture)

Michael K. Bourdaghs
4.9/5 (18960 ratings)
Description:From the beginning of the American Occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony and its uncertainty within ever-shifting geopolitical realities. In the first English-language study of this phenomenon, Michael Bourdaghs considers genres as diverse as boogie-woogie, rockabilly, "enka," 1960s rock and roll, 1970s new music, folk, and techno-pop. Reading these forms and their cultural import through music, literary, and cultural theory, he introduces readers to the sensual moods and meanings of modern Japan. As he unpacks the complexities of popular music production and consumption, Bourdaghs interprets Japan as it worked through (or tried to forget) its imperial past. These efforts grew even murkier as Japanese pop migrated to the nation's former colonies. In postwar Japan, pop music both accelerated and protested the commodification of everyday life, challenged and reproduced gender hierarchies, and insisted on the uniqueness of a national culture, even as it participated in an increasingly integrated global marketplace. Each chapter in "Sayonara Amerika, Sayonara Nippon" examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in transmitting musical genres around the globe; the place of noise in music and its relation to historical change; the tenuous connection between ideologies of authenticity and imitation; the link between commercial success and artistic integrity; and the function of melodrama. Bourdaghs concludes with a look at recent Japanese pop music culture.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-Pop (Asia Perspectives: History, Society, and Culture). To get started finding Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-Pop (Asia Perspectives: History, Society, and Culture), you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.
Pages
285
Format
PDF, EPUB & Kindle Edition
Publisher
Columbia Univesity Press
Release
2012
ISBN
0231158750

Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-Pop (Asia Perspectives: History, Society, and Culture)

Michael K. Bourdaghs
4.4/5 (1290744 ratings)
Description: From the beginning of the American Occupation in 1945 to the post-bubble period of the early 1990s, popular music provided Japanese listeners with a much-needed release, channeling their desires, fears, and frustrations into a pleasurable and fluid art. Pop music allowed Japanese artists and audiences to assume various identities, reflecting the country's uncomfortable position under American hegemony and its uncertainty within ever-shifting geopolitical realities. In the first English-language study of this phenomenon, Michael Bourdaghs considers genres as diverse as boogie-woogie, rockabilly, "enka," 1960s rock and roll, 1970s new music, folk, and techno-pop. Reading these forms and their cultural import through music, literary, and cultural theory, he introduces readers to the sensual moods and meanings of modern Japan. As he unpacks the complexities of popular music production and consumption, Bourdaghs interprets Japan as it worked through (or tried to forget) its imperial past. These efforts grew even murkier as Japanese pop migrated to the nation's former colonies. In postwar Japan, pop music both accelerated and protested the commodification of everyday life, challenged and reproduced gender hierarchies, and insisted on the uniqueness of a national culture, even as it participated in an increasingly integrated global marketplace. Each chapter in "Sayonara Amerika, Sayonara Nippon" examines a single genre through a particular theoretical lens: the relation of music to liberation; the influence of cultural mapping on musical appreciation; the role of translation in transmitting musical genres around the globe; the place of noise in music and its relation to historical change; the tenuous connection between ideologies of authenticity and imitation; the link between commercial success and artistic integrity; and the function of melodrama. Bourdaghs concludes with a look at recent Japanese pop music culture.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-Pop (Asia Perspectives: History, Society, and Culture). To get started finding Sayonara Amerika, Sayonara Nippon: A Geopolitical Prehistory of J-Pop (Asia Perspectives: History, Society, and Culture), you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.
Pages
285
Format
PDF, EPUB & Kindle Edition
Publisher
Columbia Univesity Press
Release
2012
ISBN
0231158750

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