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J. Edgar Hoover Goes to the Movies

John Sbardellati

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Description:Between 1942 and 1958, J. Edgar Hoover’s Federal Bureau of Investigation conducted a sweeping and sustained investigation of the motion picture industry to expose Hollywood’s alleged subversion of “the American Way” through its depiction of social problems, class differences, and alternative political ideologies. FBI informants (their names still redacted today) reported to Hoover’s G-men on screenplays and screenings of such films as Frank Capra’s It’s a Wonderful Life (1946), noting that “this picture deliberately maligned the upper class attempting to show that people who had money were mean and despicable characters.” The FBI’s anxiety over this film was not unique; it extended to a wide range of popular and critical successes, including The Grapes of Wrath (1940), The Best Years of Our Lives (1946), Crossfire (1947) and On the Waterfront (1954).In J. Edgar Hoover Goes to the Movies, John Sbardellati examines Hollywood’s key role as a cultural, political, and ideological battleground of the early Cold War, providing a new consideration of Hollywood’s history and the post–World War II Red Scare. In addition to governmental intrusion into the creative process, he details the efforts of left-wing filmmakers to use the medium to bring social problems to light and the campaigns of their colleagues on the political right, though such organizations as the Motion Picture Alliance for the Preservation of American Ideals, to prevent dissemination of “un-American” ideas and beliefs. Sbardellati argues that the attack on Hollywood drew its motivation from a sincerely held fear that film content endangered national security by fostering a culture that would be at best apathetic to the Cold War struggle at best, or, at its worst, conducive to communism at home. Those who took part in Hollywood’s Cold War struggle, whether on the left or right, shared one common trait: a belief that the movies could serve as engines for social change. This strongly held assumption explains why the stakes were so high, and, ultimately, why Hollywood became one of the most important ideological battlegrounds of the Cold War.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with J. Edgar Hoover Goes to the Movies. To get started finding J. Edgar Hoover Goes to the Movies, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

Pages: 264

Format: PDF, EPUB & Kindle Edition

Publisher: Cornell University Press

Release: 2012

ISBN: 080145008X

Description: Between 1942 and 1958, J. Edgar Hoover’s Federal Bureau of Investigation conducted a sweeping and sustained investigation of the motion picture industry to expose Hollywood’s alleged subversion of “the American Way” through its depiction of social problems, class differences, and alternative political ideologies. FBI informants (their names still redacted today) reported to Hoover’s G-men on screenplays and screenings of such films as Frank Capra’s It’s a Wonderful Life (1946), noting that “this picture deliberately maligned the upper class attempting to show that people who had money were mean and despicable characters.” The FBI’s anxiety over this film was not unique; it extended to a wide range of popular and critical successes, including The Grapes of Wrath (1940), The Best Years of Our Lives (1946), Crossfire (1947) and On the Waterfront (1954).In J. Edgar Hoover Goes to the Movies, John Sbardellati examines Hollywood’s key role as a cultural, political, and ideological battleground of the early Cold War, providing a new consideration of Hollywood’s history and the post–World War II Red Scare. In addition to governmental intrusion into the creative process, he details the efforts of left-wing filmmakers to use the medium to bring social problems to light and the campaigns of their colleagues on the political right, though such organizations as the Motion Picture Alliance for the Preservation of American Ideals, to prevent dissemination of “un-American” ideas and beliefs. Sbardellati argues that the attack on Hollywood drew its motivation from a sincerely held fear that film content endangered national security by fostering a culture that would be at best apathetic to the Cold War struggle at best, or, at its worst, conducive to communism at home. Those who took part in Hollywood’s Cold War struggle, whether on the left or right, shared one common trait: a belief that the movies could serve as engines for social change. This strongly held assumption explains why the stakes were so high, and, ultimately, why Hollywood became one of the most important ideological battlegrounds of the Cold War.We have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with J. Edgar Hoover Goes to the Movies. To get started finding J. Edgar Hoover Goes to the Movies, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

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J. Edgar Hoover Goes to the Movies

J. Edgar Hoover Goes to the Movies

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