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Oral History in the Visual Arts

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Description:Interviews are becoming an increasingly dominant research method in art, craft, design, fashion and textile history. This groundbreaking text demonstrates how artists, writers and historians deploy interviews as creative practice, as 'history', and as a means to insights into the micro-practices of arts production and identity that contribute to questions of 'voice', authenticity, and authorship. Through a wide range of case studies from international scholars and practitioners across a variety of fields, the volume maps how oral history interviews contribute to a relational practice that is creative, rigorous and ethically grounded. Oral History in the Visual Arts is essential reading for students, researchers and practitioners across the visual arts.ContentsAcknowledgementsIntroduction: Oral History in and about Art, Craft and Design - Linda Sandino, V&A/CCW Graduate School, University of the Arts London, UKPart One: Arts PracticesThe Body Event: Voice and Recorded Histories in the Creation of a Sound Installation Based on the Ideas of the Work of Artist John Latham - David Toop, sound artist and writer, UKDe Mudder Tongue: Oral History Work as an Arts Practice - Michael Mcmillan, artist, writer and curator, UKPrivate Voices and Public Places: Using Oral Histories in Site-specific Text-based Art - Bettina Furnée and Ian Horton, artists, UKChronicle from the Field - Alexandra Handal, artist, UKHistory in the Making; the Use of Talk in Inter-disciplinary Collaborative Craft Practice - David Gates, artist, UKPart Two: HistoriesOn Quality: Curators at the San Francisco Museum of Modern Art, (1935-2010) - Richard Cándida Smith, University of California, Berkeley, USAVoices in Art History - Liz Bruchet, Association of Art Historians, UKSpeaking of Craft: The Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America - Liza Kirwin, Smithsonian's Archives of American Art, USAThe Museum as a Work of Art: Interviewing Museum Architects, Engineers, and Builders - Anne Ritchie, National Gallery of Art, Washington D.C., USAOral History Work with Tibetan and Nepalese Metalworkers, (1986-1991) - John Clarke, Victoria & Albert Museum, UKThe Death of Small Things: The Cork Craftsman's Guild (1973-1984) - Eleanor Flegg, Freelance Writer and Broadcaster, IrelandPart Three: IdentitiesThe Craft of Conversation: Oral History and Lesbian Feminist Art Practice - Ann Cvetkovich, University of Texas at Austin, USACrafty Chats or Whose Craft is It Anyway? Domestic Discourse and Making Marginality Matter - Jo Turney, Bath Spa University, UKFeedsack Fashion in Rural Appalachia: a Social History of Women's Experiences in Ashe County, North Carolina, (1929-1956) - Natalya Buckel, Independent Scholar, USACovering Up - Claire Wilcox, Victoria & Albert Museum, UKFrom Punk to the Hijab: Women's Embodied Dress as Performative Resistance, 1970s to the Present - Shehnaz Suterwalla, Royal College of Art, UKBecoming an Artist: Life Histories and Visual Images - Maria Tamboukou, University of East London, UK and Gali Weiss, artist, Melbourne, AustraliaNarratives in Practice: the Small and Big Stories of Design - Arlene Oak, University of Alberta, CanadaConclusion: Oral History and Research Ethics in the Visual Arts: Current and Future Challenges - Matthew Partington, University of the West of England, Bristol, UKBibliographyWe have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Oral History in the Visual Arts. To get started finding Oral History in the Visual Arts, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

Pages: 224

Format: PDF, EPUB & Kindle Edition

Publisher: Berg

Release: 2013

ISBN: 0857851985

Description: Interviews are becoming an increasingly dominant research method in art, craft, design, fashion and textile history. This groundbreaking text demonstrates how artists, writers and historians deploy interviews as creative practice, as 'history', and as a means to insights into the micro-practices of arts production and identity that contribute to questions of 'voice', authenticity, and authorship. Through a wide range of case studies from international scholars and practitioners across a variety of fields, the volume maps how oral history interviews contribute to a relational practice that is creative, rigorous and ethically grounded. Oral History in the Visual Arts is essential reading for students, researchers and practitioners across the visual arts.ContentsAcknowledgementsIntroduction: Oral History in and about Art, Craft and Design - Linda Sandino, V&A/CCW Graduate School, University of the Arts London, UKPart One: Arts PracticesThe Body Event: Voice and Recorded Histories in the Creation of a Sound Installation Based on the Ideas of the Work of Artist John Latham - David Toop, sound artist and writer, UKDe Mudder Tongue: Oral History Work as an Arts Practice - Michael Mcmillan, artist, writer and curator, UKPrivate Voices and Public Places: Using Oral Histories in Site-specific Text-based Art - Bettina Furnée and Ian Horton, artists, UKChronicle from the Field - Alexandra Handal, artist, UKHistory in the Making; the Use of Talk in Inter-disciplinary Collaborative Craft Practice - David Gates, artist, UKPart Two: HistoriesOn Quality: Curators at the San Francisco Museum of Modern Art, (1935-2010) - Richard Cándida Smith, University of California, Berkeley, USAVoices in Art History - Liz Bruchet, Association of Art Historians, UKSpeaking of Craft: The Nanette L. Laitman Documentation Project for Craft and Decorative Arts in America - Liza Kirwin, Smithsonian's Archives of American Art, USAThe Museum as a Work of Art: Interviewing Museum Architects, Engineers, and Builders - Anne Ritchie, National Gallery of Art, Washington D.C., USAOral History Work with Tibetan and Nepalese Metalworkers, (1986-1991) - John Clarke, Victoria & Albert Museum, UKThe Death of Small Things: The Cork Craftsman's Guild (1973-1984) - Eleanor Flegg, Freelance Writer and Broadcaster, IrelandPart Three: IdentitiesThe Craft of Conversation: Oral History and Lesbian Feminist Art Practice - Ann Cvetkovich, University of Texas at Austin, USACrafty Chats or Whose Craft is It Anyway? Domestic Discourse and Making Marginality Matter - Jo Turney, Bath Spa University, UKFeedsack Fashion in Rural Appalachia: a Social History of Women's Experiences in Ashe County, North Carolina, (1929-1956) - Natalya Buckel, Independent Scholar, USACovering Up - Claire Wilcox, Victoria & Albert Museum, UKFrom Punk to the Hijab: Women's Embodied Dress as Performative Resistance, 1970s to the Present - Shehnaz Suterwalla, Royal College of Art, UKBecoming an Artist: Life Histories and Visual Images - Maria Tamboukou, University of East London, UK and Gali Weiss, artist, Melbourne, AustraliaNarratives in Practice: the Small and Big Stories of Design - Arlene Oak, University of Alberta, CanadaConclusion: Oral History and Research Ethics in the Visual Arts: Current and Future Challenges - Matthew Partington, University of the West of England, Bristol, UKBibliographyWe have made it easy for you to find a PDF Ebooks without any digging. And by having access to our ebooks online or by storing it on your computer, you have convenient answers with Oral History in the Visual Arts. To get started finding Oral History in the Visual Arts, you are right to find our website which has a comprehensive collection of manuals listed.
Our library is the biggest of these that have literally hundreds of thousands of different products represented.

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